Early Autumn

Early Autumn

Author: Langston Hughes

Introduction

Langston Hughes, a prominent figure of the Harlem Renaissance, is best known for his powerful poetry and writings that captured the essence of African American culture and experience. While his poems like "The Negro Speaks of Rivers" and "Harlem" have gained widespread recognition, Hughes also showcased his talent through plays, nonfiction works, and short stories. One such remarkable piece is "Early Autumn." Published in the Chicago Defender on September 30, 1950, and later included in his collection "Something in Common and Other Stories," this flash fiction exemplifies Hughes' ability to convey deep emotions and complex relationships in a concise format. In this article, we will delve into the plot, point of view, symbolism, and turning points of "Early Autumn," exploring the nuances that make it an enduring piece of literature.

Understanding Flash Fiction

At fewer than 500 words, "Early Autumn" is a prime example of flash fiction, a genre that predates the actual term. Flash fiction consists of very short stories, typically a few hundred words or less, which pack a punch in their brevity. Also known as sudden, micro, or quick fiction, these stories often incorporate elements of poetry and narrative techniques. They are characterized by their ability to convey a complete story, with a beginning, middle, and end, in a condensed format. By utilizing minimal characters, truncating plots, or starting in media res, flash fiction captivates readers with its succinctness and leaves a lasting impact.

A Plot of Reunion and Regret

"Early Autumn" revolves around the chance encounter between two former lovers, Bill and Mary, in Washington Square, New York. Several years have passed since they last saw each other, and their reunion is filled with polite exchanges about their jobs and families. Despite their superficial conversation, there is an underlying sense of unspoken words and unfulfilled emotions. As Mary boards her bus, she is overwhelmed by the things she has failed to say to Bill, both in the present moment and throughout their lives.

The Multifaceted Point of View

Hughes skillfully employs an omniscient narrator in "Early Autumn," providing insights into the perspectives of both Bill and Mary. The narrative begins with a brief introduction to their past relationship, leading into their current reunion. Bill's thoughts primarily revolve around Mary's appearance, noting how old she looks. His discomfort is evident when he struggles to find a complimentary remark about her, revealing that he hasn't given her much thought in recent years. On the other hand, Mary still harbors affection for Bill, despite being the one who left him and married another man. Her disappointment in Bill's marital status is palpable, and readers understand the extent of her regret through the revelation that she named her youngest child Bill as well.

Symbolism of "Early Autumn"

The title of the story, "Early Autumn," holds profound symbolism that enriches the narrative. Initially, it appears that Mary embodies the concept of autumn, as she visibly ages and is older than Bill. Autumn represents a season of loss, and Mary experiences a profound sense of loss as she desperately reaches back into the past. This emotional loss is further emphasized by the setting of the story—a day nearing its end, growing colder, with falling leaves. The constant stream of strangers passing by Bill and Mary highlights their isolation and the passage of time. As Mary boards the bus, the physical distance between her and Bill mirrors the irreparable rift between them, much like the fallen leaves that can never return to their tree. Interestingly, while Mary is undoubtedly in her autumn, Bill might not realize that he is in his "early autumn," as he is taken aback by Mary's aging. This juxtaposition adds depth to their encounter, highlighting the fleeting nature of time and missed opportunities.

A Glimmer of Hope: A Turning Point

"Early Autumn" exudes a sense of emptiness, with the characters struggling to find words to express their true feelings. However, there is a significant turning point in the story that brings a glimmer of hope and meaning. As Bill and Mary attempt to converse, the lights suddenly illuminate the length of Fifth Avenue, creating chains of misty brilliance in the blue air. This moment marks the end of their conversation and startles Mary into the present. The brilliance of the lights represents a revelation, a truth that cannot be denied—the passage of time and the impossibility of reclaiming the past. The lights' presence throughout the avenue emphasizes the all-encompassing nature of this truth, reminding the characters and readers alike of the relentless march of time. It is noteworthy that the lights turn on just as Bill expresses genuine warmth and invites Mary to see his children, potentially symbolizing hope and a connection to the future.

Conclusion

Langston Hughes' "Early Autumn" showcases the power of flash fiction to encapsulate complex emotions and relationships in a concise format. Through the chance encounter between Bill and Mary, Hughes explores themes of regret, missed opportunities, and the passage of time. The title's symbolism of autumn and the sudden brilliance of lights on Fifth Avenue add depth to the narrative, highlighting the fleeting nature of life and the potential for hope amidst the regrets. As readers delve into "Early Autumn," they are reminded of the remarkable ability of literature to evoke profound emotions and provoke introspection, even in the shortest of stories.